Drake Vs Kendrick Beef: Personal Attacks & Diss Tracks

Table of Contents

This feud between Drake and Kendrick Lamar is not a new short-term-based rivalry but rather one that goes back several years, not several months.
Clash has presented shocking charges, psychological stratagems, lyrical contests, and the commerce of music.
There is a discussion of their backstory and a discussion of the content of their lyrics, as well as a discussion of the psychological warfare that each of the sides is engaged in and comparisons to other hip-hop beefs, specifically in the Indian hip-hop scene (DHH).
It has been interesting and fierce, as well as interrelated to the greater themes in hip-hop culture.

Early in the year 2010, Drake was a more famous person compared to Kendrick and J. Cole, and all of them were developing images through the use of underground circuits.
Even though he had an upper hand in popularity, Drake was a fan of Kendrick and J. Cole and had worked together with the two artists and had invited them on tours.
By 2014 all three had carved their own niche: Drake had mainstream access, J. Cole had industry votes, and Kendrick had critical esteem.
The 2013 album Good Kid, m.A.A.D City by Kendrick shook the world and made him one of the most serious contenders.

The verse by Kendrick Lamar on Big Sean song, Control, stirred the world of hip-hop because he dissed several rappers including Drake and J. Cole.

This raised feelings in a number of people but Drake brushed it off as a hype moment which is not worth remembering.

This cooling off did not last long and subliminal disses were still maintained between Kendrick and Drake over the next decade keeping tension between the two rappers.

The beef took off in November 2023 when Drake released First Person Shooter with J. Cole, bringing the direct references of the big three (Drake, Kendrick, J. Cole).
Kendrick replied by appearing on the song of Metro Boomin, Like That, where he disses both Drake and J. Cole claiming his superiority over them as the crowned king, big me.
At one point J. Cole teamed up with a diss track Seven Minute Drill but clearly washed off his hands later on allowing Drake and Kendrick to have the full battle on their own.
The beef became personal and exposing to such dark secrets and psychological mind games.

Both of the artists employ the measures of psychological warfare: they were throwing subliminal bars, symbolic references, and even multiples of meanings at each other individually and professionally.

The disses that Kendrick engaged in were those that revealed the personal weaknesses of Drake as well as suspicious contracts and said manipulations in the music industry.

In response, Drake made fun of Kendrick Lamar because of his height, his genuineness, and said that he had sold out as an artist by selling out industry with pop stars Taylor Swift and Maroon 5.

Appeal to family, personal relationships and industry insiders was an important element of the lyrical tactic.

Drake in his Leave Me Alone remix titled Push Ups was a polyvalent diss song to Kendrick, Metro Boomin, Future and other people with his subtle jabbing and damning lyrics.

Kendrick topped it with a devastating rap called Meet the Graham where he went after Drake with a family, character and revealing what they claimed to be hidden information with a dark and intense tone as a psychological thriller

Psychologically, the very fact of creating such a detailed narrative form with direct attacks aimed at the family members of Drake in the age where his human qualities are the most appreciated contributed to the creation of a substantial sense of its psychological impact.

A reply to Drake was made in less than 45 minutes by him with more personal attacks and beef taken to new levels where Drake leveled grave accusations such as being a dishonest person and engaging in dirty illegal practices which included domestic abuse issues.

The beef was loaded with charges: Drake was engaged in escort business, exploited woman and was a bully in his own label.

Its personal life, Kendrick and his wife, family situation were put into focus too, the allegations of cheating and break-up appeared as well.

These revelations were used by both artists to break the faith of the other and their popularity.

The psychological game was reflected in social media, insider information, as well as in manipulating the perception of people, it was even more than music.

These strategies of the beef remind of the earlier fights in the Indian hip-hop (DHH) such as those by Divine, Emiway, and Krishna.

Other tactics are social manipulation, psychological manipulation, revealing personal secrets and subliminal disses.

Kendrick Lamar seems to be a step ahead of him because of the depth, seriousness, and the sophistication of his diss tracks.
Drake keeps defending and counterattacking, although, most of the information he presents is either planted or sketchy.
The decision by J. Cole to walk out of the beef is viewed as prudent because it does not entangle in mudslinging that characterizes the situation between Drake and Kendrick.
The beef highlights the complicated association of hip-hop to rivalry, esteem, and individual precincts.
The evolving saga is a major cultural milestone whose lessons have to do with artistry, competition, and psychological warfare in music.

Drake vs Kendrick Lamar Beef: Personal Attacks & Diss Tracks